Hi…hello! It’s me “JAMEZ V. REVILLA “. And I have a last two words to say, “Bye bye”!!! <. ( T _ T ) .> huhuhuhu….how sad!!! But, don’t worry! Be happy! Because even though it will be the last topic in (HOA 2) History of Architecture 2 for this blog, I will still post in this blog. Well… back to the real topic! The next’s and the last topic for this blog is about “INTERNATIONAL STYLE BUILDING”.
What is INTERNATIONAL STYLE BUILDING?
International Style Building in the USA is a term that often used to describe Bauhas architecture. The book The International Style by historian and critic Henry-Russell Hitchcock and architect Philip Johnson get this name “International Style Building”. This book was published in year 1932 in concurrence with a presentation at the Museum of Modern Art in New York and it recognized, categorizes and extended upon characteristics common to Modernism transversely the world and its stylistic aspects. The aim of Hitchcock and Johnson was to define a style that would summarize this modern architecture, and they did this by the inclusion of specific architects.
This is the authors identified three principles:
First is the expression of volume rather than mass.
The next one is the importance on balance rather than predetermined symmetry, and the expulsion of applied ornament.
All the works in the exhibition were carefully selected, only displaying those that strictly followed these rules:
Previous uses of the term in the same context can be attributed to Walter Gropius in Internationale Architektur, and Ludwig Hilberseimer in Internationale neue Baukunst
The German Bauhaus architecture had been concerned with the social aspects of design; America’s International Style became a symbolism of Capitalism: The International Style is the favored architecture for office buildings, and is also found in upscale homes built for the rich.
By the mid-twentieth century, many variations of the International Style had evolved. In southern California and the American Southwest, architects adapted the International Style to the warm climate and arid terrain, creating an elegant yet informal style known as Desert Modernism.
One of the most famous examples of the International Style is the United Nations Secretariat building, designed by Le Corbusie. The smooth glass-sided slab dominates New York’s skyline along the East River. The United Nations Secretariat building was completed in 1952.
In foreign countries
The main concern to use of the term ‘International Style’, the same determined towards generalization, honesty and clarity are identifiable in US architects, particularly in the work of Louis Sullivan and Frank Lloyd Wright in Chicago, as well as the west-coast residences of Irving Gill. Frank Lloyd Wright’s Wasmuth Portfolio inclined the work of European modernists, and his travels there probably influenced his own work, although he refused to be categorized with them. In year 1922, the competition for the Tribune Tower and its famous second-place entry by Eliel Saarinen gave a clear indication of what was to come.
The term International Style came from the 1932 exhibition at the Museum of Modern Art, prepared by Philip Johnson, and from the title of the exhibition catalog for that exhibit, written by Johnson and Henry Russell Hitchcock. It addressed building from 1922 through 1932. Johnson named, codified, promoted and delicately re-defined the whole movement by his inclusion of certain architects, and his description of their motives and values. Many Modernists disliked the term, believing that they had arrived at an approach to architecture that transcend “style”, along with any national or regional or continental identity. The British architectural historian Sir Nikolaus Pevsner commented, “To me what had been achieved in 1914 was the style of the century. It never occurred to me to look beyond. Here was the one and only style which fitted all those aspects which mattered, aspects of economics and sociology, of materials and function. It seems folly to think that anybody would wish to abandon it.”
Johnson also defines the modern movement as an aesthetic style, rather than a matter of political statement. This was a different approach from the functionalist principles of some of the original Weissenh of architects, particularly the Dutch, and especially J.J.P. Oud, with whom Johnson maintained a prickly correspondence on the topic. The same year that Johnson coined the term International Style, saw the completion of the world’s first International Style skyscraper, Philadelphia’s PSFS Building. Designed by the truly “international” team of architects, George Howe and William Lescaze, the PSFS Building has become an integral element of the Philadelphia skyline.
International Style Today
In our time from now, although it was conceived as a movement that transcended style, the International Style was largely archaic in the era of Postmodern Architecture that in progress in the year 1960s. In 2006, Hugh Pearlman, the architectural critic of the The Times, observed that those using the style today are simply “another species of revivalist”, noting the satire.
This are the example of International Style Building
Toronto City Hall
Villa Savoye, by Le Corbusier
The PSFS Building, now Loews Philadelphia Hotel